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Blog EntrySaki (H. H. Munro) featuring The Open WindowMay 19, '08 10:45 AM
for everyone
Saki is one of my favorite authors, who specializes in short stories. When I was in Grade 3, my mom bought a lot of Oxford Progressive English Readers books, which were condensed and slightly sanitized versions of great (and not so great) works of literature in the English language. The books had a lot of impact on me - it exposed me to a lot of authors and genres I would not have had access to, from Shakespeare to Burmese horror stories, and greatly influenced my writing.

One of these books was a collection of Saki's short stories. Man, how to describe Saki's style?

His style reminds me why I hate the term "speculative fiction" so much. He is a bit of an absurdist - things happen in extremely unusual circumstances just to make a punchline. He's also a magical realist, but with a mad bent for humor. But his humor is really dark - especially since it draws upon his life as a lonely, closeted homosexual in Victorian England who'd gone through so much hilarious tragedy at an early age. Seriously, how many people can honestly say they lost their mother to a tragic accident involving a runaway cow?

But judge his writing for yourself - I've included one of his most famous stories after my overly-long writeup. It's "The Open Window", one of my favorite stories as well, and you might notice has a strong resemblance to some of my earlier fiction. To see the rest of his work (which is all, thankfully, now out of copyright), head to Project Gutenberg.

The Open Window  by Saki

"My aunt will be down presently, Mr. Nuttel," said a very self-possessed young lady of fifteen; "in the meantime you must try and put up with me."  

Framton Nuttel endeavoured to say the correct something which should duly flatter the niece of the moment without unduly discounting the aunt that was to come.  Privately he doubted more than ever whether these formal visits on a succession of total strangers would do much towards helping the nerve cure which he was supposed to be undergoing.  

"I know how it will be," his sister had said when he was preparing to migrate to this rural retreat; "you will bury yourself down there and not speak to a living soul, and your nerves will be worse than ever from moping.  I shall just give you letters of introduction to all the people I know there.  Some of them, as far as I can remember, were quite nice."  

Framton wondered whether Mrs. Sappleton, the lady to whom he was presenting one of the letters of introduction, came into the nice division.  

"Do you know many of the people round here?" asked the niece, when she judged that they had had sufficient silent communion.  

"Hardly a soul," said Framton.  "My sister was staying here, at the rectory, you know, some four years ago, and she gave me letters of introduction to some of the people here."   He made the last statement in a tone of distinct regret.  

"Then you know practically nothing about my aunt?" pursued the self-possessed young lady.   "Only her name and address," admitted the caller.  He was wondering whether Mrs. Sappleton was in the married or widowed state.  An undefinable something about the room seemed to suggest masculine habitation.  

"Her great tragedy happened just three years ago," said the child; "that would be since your sister's time."  

"Her tragedy?" asked Framton; somehow in this restful country spot tragedies seemed out of place.  

"You may wonder why we keep that window wide open on an October afternoon," said the niece, indicating a large French window that opened on to a lawn.  

"It is quite warm for the time of the year," said Framton; "but has that window got anything to do with the tragedy?"  

"Out through that window, three years ago to a day, her husband and her two young brothers went off for their day's shooting.  They never came back.  In crossing the moor to their favourite snipe-shooting ground they were all three engulfed in a treacherous piece of bog.  It had been that dreadful wet summer, you know, and places that were safe in other years gave way suddenly without warning.  Their bodies were never recovered. That was the dreadful part of it."  Here the child's voice lost its self- possessed note and became falteringly human.  "Poor aunt always thinks that they will come back some day, they and the little brown spaniel that was lost with them, and walk in at that window just as they used to do. That is why the window is kept open every evening till it is quite dusk. Poor dear aunt, she has often told me how they went out, her husband with his white waterproof coat over his arm, and Ronnie, her youngest brother, singing 'Bertie, why do you bound?' as he always did to tease her, because she said it got on her nerves.  Do you know, sometimes on still, quiet evenings like this, I almost get a creepy feeling that they will all walk in through that window--"  

She broke off with a little shudder.  It was a relief to Framton when the aunt bustled into the room with a whirl of apologies for being late in making her appearance.  

"I hope Vera has been amusing you?" she said.  

"She has been very interesting," said Framton.  

"I hope you don't mind the open window," said Mrs. Sappleton briskly; "my husband and brothers will be home directly from shooting, and they always come in this way.  They've been out for snipe in the marshes to-day, so they'll make a fine mess over my poor carpets.  So like you men-folk, isn't it?"  

She rattled on cheerfully about the shooting and the scarcity of birds, and the prospects for duck in the winter.  To Framton it was all purely horrible.  He made a desperate but only partially successful effort to turn the talk on to a less ghastly topic; he was conscious that his hostess was giving him only a fragment of her attention, and her eyes were constantly straying past him to the open window and the lawn beyond. It was certainly an unfortunate coincidence that he should have paid his visit on this tragic anniversary.  

"The doctors agree in ordering me complete rest, an absence of mental excitement, and avoidance of anything in the nature of violent physical exercise," announced Framton, who laboured under the tolerably widespread delusion that total strangers and chance acquaintances are hungry for the least detail of one's ailments and infirmities, their cause and cure.  "On the matter of diet they are not so much in agreement," he continued.  

"No?" said Mrs. Sappleton, in a voice which only replaced a yawn at the last moment.  Then she suddenly brightened into alert attention--but not to what Framton was saying.  

"Here they are at last!" she cried.  "Just in time for tea, and don't they look as if they were muddy up to the eyes!"  

Framton shivered slightly and turned towards the niece with a look intended to convey sympathetic comprehension.  The child was staring out through the open window with dazed horror in her eyes.  In a chill shock of nameless fear Framton swung round in his seat and looked in the same direction.  

In the deepening twilight three figures were walking across the lawn towards the window; they all carried guns under their arms, and one of them was additionally burdened with a white coat hung over his shoulders. A tired brown spaniel kept close at their heels.  Noiselessly they neared the house, and then a hoarse young voice chanted out of the dusk: "I said, Bertie, why do you bound?"  

Framton grabbed wildly at his stick and hat; the hall-door, the gravel- drive, and the front gate were dimly-noted stages in his headlong retreat.  A cyclist coming along the road had to run into the hedge to avoid an imminent collision.  

"Here we are, my dear," said the bearer of the white mackintosh, coming in through the window; "fairly muddy, but most of it's dry.  Who was that who bolted out as we came up?"  

"A most extraordinary man, a Mr. Nuttel," said Mrs. Sappleton; "could only talk about his illnesses, and dashed off without a word of good-bye or apology when you arrived.  One would think he had seen a ghost."  

"I expect it was the spaniel," said the niece calmly; "he told me he had a horror of dogs.  He was once hunted into a cemetery somewhere on the banks of the Ganges by a pack of pariah dogs, and had to spend the night in a newly dug grave with the creatures snarling and grinning and foaming just above him.  Enough to make anyone their nerve."  

Romance at short notice was her speciality.

Blog EntryThe Happy Prince Mar 19, '08 10:25 AM
for everyone
Another sad story by Oscar Wilde. This is probably my favorite from this collection by Wilde - I think the love story here is far sweeter than in "The Nightingale and the Rose".

The Happy Prince
by Oscar Wilde

High above the city, on a tall column, stood the statue of the Happy Prince. He was gilded all over with thin leaves of fine gold, for eyes he had two bright sapphires, and a large red ruby glowed on his sword-hilt.

He was very much admired indeed. ‘He is as beautiful as a weathercock,’ remarked one of the Town Councillors who wished to gain a reputation for having artistic tastes; ‘only not quite so useful,’ he added, fearing lest people should think him unpractical, which he really was not.

‘Why can’t you be like the Happy Prince?’ asked a sensible mother of her little boy who was crying for the moon. ‘The Happy Prince never dreams of crying for anything.’

‘I am glad there is some one in the world who is quite happy,’ muttered a disappointed man as he gazed at the wonderful statue.

‘He looks just like an angel,’ said the Charity Children as they came out of the cathedral in their bright scarlet cloaks, and their clean white pinafores.

‘How do you know?’ said the Mathematical Master, ‘you have never seen one.’

‘Ah! but we have, in our dreams,’ answered the children; and the Mathematical Master frowned and looked very severe, for he did not approve of children dreaming.

One night there flew over the city a little Swallow. His friends had gone away to Egypt six weeks before, but he had stayed behind, for he was in love with the most beautiful Reed. He had met her early in the spring as he was flying down the river after a big yellow moth, and had been so attracted by her slender waist that he had stopped to talk to her.

‘Shall I love you?’ said the Swallow, who liked to come to the point at once, and the Reed made him a low bow. So he flew round and round her, touching the water with his wings, and making silver ripples. This was his courtship, and it lasted all through the summer.

‘It is a ridiculous attachment,’ twittered the other Swallows, ‘she has no money, and far too many relations;’ and indeed the river was quite full of Reeds. Then, when the autumn came, they all flew away.

After they had gone he felt lonely, and began to tire of his lady-love. ‘She has no conversation,’ he said, ‘and I am afraid that she is a coquette, for she is always flirting with the wind.’ And certainly, whenever the wind blew, the Reed made the most graceful curtsies. ‘I admit that she is domestic,’ he continued, ‘but I love travelling, and my wife, consequently, should love travelling also.’

‘Will you come away with me?’ he said finally to her; but the Reed shook her head, she was so attached to her home.

‘You have been trifling with me,’ he cried, ‘I am off to the Pyramids. Good-bye!’ and he flew away.

All day long he flew, and at night-time he arrived at the city. ‘Where shall I put up?’ he said; ‘I hope the town has made preparations.’

Then he saw the statue on the tall column. ‘I will put up there,’ he cried; ‘it is a fine position with plenty of fresh air.’ So he alighted just between the feet of the Happy Prince.

‘I have a golden bedroom,’ he said softly to himself as he looked round, and he prepared to go to sleep; but just as he was putting his head under his wing a large drop of water fell on him. ‘What a curious thing!’ he cried, ‘there is not a single cloud in the sky, the stars are quite clear and bright, and yet it is raining. The climate in the north of Europe is really dreadful. The Reed used to like the rain, but that was merely her selfishness.’

Then another drop fell.

‘What is the use of a statue if it cannot keep the rain off?’ he said; ‘I must look for a good chimney-pot,’ and he determined to fly away.

But before he had opened his wings, a third drop fell, and he looked up, and saw - Ah! what did he see?

The eyes of the Happy Prince were filled with tears, and tears were running down his golden cheeks. His face was so beautiful in the moonlight that the little Swallow was filled with pity.

‘Who are you?’ he said.

‘I am the Happy Prince.’

‘Why are you weeping then?’ asked the Swallow; ‘you have quite drenched me.’

‘When I was alive and had a human heart,’ answered the statue, ‘I did not know what tears were, for I lived in the palace of Sans-Souci, where sorrow is not allowed to enter. In the daytime I played with my companions in the garden, and in the evening I led the dance in the Great Hall. Round the garden ran a very lofty wall, but I never cared to ask what lay beyond it, everything about me was so beautiful. My courtiers called me the Happy Prince, and happy indeed I was, if pleasure be happiness. So I lived, and so I died. And now that I am dead they have set me up here so high that I can see all the ugliness and all the misery of my city, and though my heart is made of lead yet I cannot choose but weep.’

‘What, is he not solid gold?’ said the Swallow to himself. He was too polite to make any personal remarks out loud.

‘Far away,’ continued the statue in a low musical voice, ‘far away in a little street there is a poor house. One of the windows is open, and through it I can see a woman seated at a table. Her face is thin and worn, and she has coarse, red hands, all pricked by the needle, for she is a seamstress. She is embroidering passion-flowers on a satin gown for the loveliest of the Queen’s maids-of-honour to wear at the next Court-ball. In a bed in the corner of the room her little boy is lying ill. He has a fever, and is asking for oranges. His mother has nothing to give him but river water, so he is crying. Swallow, Swallow, little Swallow, will you not bring her the ruby out of my sword-hilt? My feet are fastened to this pedestal and I cannot move.’

‘I am waited for in Egypt,’ said the Swallow. ‘My friends are flying up and down the Nile, and talking to the large lotus-flowers. Soon they will go to sleep in the tomb of the great King. The King is there himself in his painted coffin. He is wrapped in yellow linen, and embalmed with spices. Round his neck is a chain of pale green jade, and his hands are like withered leaves.’

‘Swallow, Swallow, little Swallow,’ said the Prince, ‘will you not stay with me for one night, and be my messenger? The boy is so thirsty, and the mother so sad.’

‘I don’t think I like boys,’ answered the Swallow. ‘Last summer, when I was staying on the river, there were two rude boys, the miller’s sons, who were always throwing stones at me. They never hit me, of course; we swallows fly far too well for that, and besides, I come of a family famous for its agility; but still, it was a mark of disrespect.’

But the Happy Prince looked so sad that the little Swallow was sorry. ‘It is very cold here,’ he said; ‘but I will stay with you for one night, and be your messenger.’

‘Thank you, little Swallow,’ said the Prince.

So the Swallow picked out the great ruby from the Prince’s sword, and flew away with it in his beak over the roofs of the town.

He passed by the cathedral tower, where the white marble angels were sculptured. He passed by the palace and heard the sound of dancing. A beautiful girl came out on the balcony with her lover. ‘How wonderful the stars are,’ he said to her, and how wonderful is the power of love!’

‘I hope my dress will be ready in time for the State-ball,’ she answered; ‘I have ordered passion-flowers to be embroidered on it; but the seamstresses are so lazy.’

He passed over the river, and saw the lanterns hanging to the masts of the ships. He passed over the Ghetto, and saw the old jews bargaining with each other, and weighing out money in copper scales. At last he came to the poor house and looked in. The boy was tossing feverishly on his bed, and the mother had fallen asleep, she was so tired. In he hopped, and laid the great ruby on the table beside the woman’s thimble. Then he flew gently round the bed, fanning the boy’s forehead with his wings. ‘How cool I feel,’ said the boy, ‘I must be getting better;’ and he sank into a delicious slumber.

Then the Swallow flew back to the Happy Prince, and told him what he had done. ‘It is curious,’ he remarked, ‘but I feel quite warm now, although it is so cold.’

‘That is because you have done a good action,’ said the Prince. And the little Swallow began to think, and then he fell asleep. Thinking always made him sleepy.

When day broke he flew down to the river and had a bath. ‘What a remarkable phenomenon,’ said the Professor of Ornithology as he was passing over the bridge. ‘A swallow in winter!’ And he wrote a long letter about it to the local newspaper. Every one quoted it, it was full of so many words that they could not understand.

‘To-night I go to Egypt,’ said the Swallow, and he was in high spirits at the prospect. He visited all the public monuments, and sat a long time on top of the church steeple. Wherever he went the Sparrows chirruped, and said to each other, ‘What a distinguished stranger!’ so he enjoyed himself very much.

When the moon rose he flew back to the Happy Prince. ‘Have you any commissions for Egypt?’ he cried; ‘I am just starting.’

‘Swallow, Swallow, little Swallow,’ said the Prince, ‘will you not stay with me one night longer?’

‘I am waited for in Egypt,’ answered the Swallow. ‘To-morrow my friends will fly up to the Second Cataract. The river-horse couches there among the bulrushes, and on a great granite throne sits the God Memnon. All night long he watches the stars, and when the morning star shines he utters one cry of joy, and then he is silent. At noon the yellow lions come down to the water’s edge to drink. They have eyes like green beryls, and their roar is louder than the roar of the cataract.’

‘Swallow, Swallow, little Swallow,’ said the prince, ‘far away across the city I see a young man in a garret. He is leaning over a desk covered with papers, and in a tumbler by his side there is a bunch of withered violets. His hair is brown and crisp, and his lips are red as a pomegranate, and he has large and dreamy eyes. He is trying to finish a play for the Director of the Theatre, but he is too cold to write any more. There is no fire in the grate, and hunger has made him faint.’

‘I will wait with you one night longer,’ said the Swallow, who really had a good heart. ‘Shall I take him another ruby?’

‘Alas! I have no ruby now,’ said the Prince; ‘my eyes are all that I have left. They are made of rare sapphires, which were brought out of India a thousand years ago. Pluck out one of them and take it to him. He will sell it to the jeweller, and buy food and firewood, and finish his play.’

‘Dear Prince,’ said the Swallow, ‘I cannot do that;’ and he began to weep.

‘Swallow, Swallow, little Swallow,’ said the Prince, ‘do as I command you.’

So the Swallow plucked out the Prince’s eye, and flew away to the student’s garret. It was easy enough to get in, as there was a hole in the roof. Through this he darted, and came into the room. The young man had his head buried in his hands, so he did not hear the flutter of the bird’s wings, and when he looked up he found the beautiful sapphire lying on the withered violets.

‘I am beginning to be appreciated,’ he cried; ‘this is from some great admirer. Now I can finish my play,’ and he looked quite happy.

The next day the Swallow flew down to the harbour. He sat on the mast of a large vessel and watched the sailors hauling big chests out of the hold with ropes. ‘Heave a-hoy!’ they shouted as each chest came up. ‘I am going to Egypt!’ cried the Swallow, but nobody minded, and when the moon rose he flew back to the Happy Prince.

‘I am come to bid you good-bye,’ he cried.

‘Swallow, Swallow, little Swallow,’ said the Prince, ‘will you not stay with me one night longer?’

‘It is winter,’ answered the Swallow, ‘and the chill snow will soon be here. In Egypt the sun is warm on the green palm-trees, and the crocodiles lie in the mud and look lazily about them. My companions are building a nest in the Temple of Baalbec, and the pink and white doves are watching them, and cooing to each other. Dear Prince, I must leave you, but I will never forget you, and next spring I will bring you back two beautiful jewels in place of those you have given away. The ruby shall be redder than a red rose, and the sapphire shall be as blue as the great sea.’

‘In the square below,’ said the Happy Prince, ‘there stands a little match-girl. She has let her matches fall in the gutter, and they are all spoiled. Her father will beat her if she does not bring home some money, and she is crying. She has no shoes or stockings, and her little head is bare. Pluck out my other eye, and give it to her, and her father will not beat her.’

‘I will stay with you one night longer,’ said the Swallow, ‘but I cannot pluck out your eye. You would be quite blind then.’

‘Swallow, Swallow, little Swallow,’ said the Prince, ‘do as I command you.’

So he plucked out the Prince’s other eye, and darted down with it. He swooped past the match-girl, and slipped the jewel into the palm of her hand. ‘What a lovely bit of glass,’ cried the little girl; and she ran home, laughing.

Then the Swallow came back to the Prince. ‘You are blind now,’ he said, ‘so I will stay with you always.’

‘No, little Swallow,’ said the poor Prince, ‘you must go away to Egypt.’

‘I will stay with you always,’ said the Swallow, and he slept at the Prince’s feet.

All the next day he sat on the Prince’s shoulder, and told him stories of what he had seen in strange lands. He told him of the red ibises, who stand in long rows on the banks of the Nile, and catch gold fish in their beaks; of the Sphinx, who is as old as the world itself and lives in the desert, and knows everything; of the merchants, who walk slowly by the side of their camels, and carry amber beads in their hands; of the King of the Mountains of the Moon, who is as black as ebony, and worships a large crystal; of the great green snake that sleeps in a palm-tree, and has twenty priests to feed it with honey-cakes; and of the pygmies who sail over a big lake on large flat leaves, and are always at war with the butterflies.

‘Dear little Swallow,’ said the Prince, ‘you tell me of marvellous things, but more marvellous than anything is the suffering of men and of women. There is no Mystery so great as Misery. Fly over my city, little Swallow, and tell me what you see there.’

So the Swallow flew over the great city, and saw the rich making merry in their beautiful houses, while the beggars were sitting at the gates. He flew into dark lanes, and saw the white faces of starving children looking out listlessly at the black streets. Under the archway of a bridge two little boys were lying in one another’s arms to try and keep themselves warm. ‘How hungry we are!’ they said. ‘You must not lie here,’ shouted the Watchman, and they wandered out into the rain.

Then he flew back and told the Prince what he had seen.

‘I am covered with fine gold,’ said the Prince, ‘you must take it off, leaf by leaf, and give it to my poor; the living always think that gold can make them happy.’

Leaf after leaf of the fine gold the Swallow picked off, till the Happy Prince looked quite dull and grey. Leaf after leaf of the fine gold he brought to the poor, and the children’s faces grew rosier, and they laughed and played games in the street. ‘We have bread now!’ they cried.

Then the snow came, and after the snow came the frost. The streets looked as if they were made of silver, they were so bright and glistening; long icicles like crystal daggers hung down from the eaves of the houses, everybody went about in furs, and the little boys wore scarlet caps and skated on the ice.

The poor little Swallow grew colder and colder, but he would not leave the Prince, he loved him too well. He picked up crumbs outside the baker’s door where the baker was not looking, and tried to keep himself warm by flapping his wings.

But at last he knew that he was going to die. He had just strength to fly up to the Prince’s shoulder once more. ‘Good-bye, dear Prince!’ he murmured, ‘will you let me kiss your hand?’

‘I am glad that you are going to Egypt at last, little Swallow,’ said the Prince, ‘you have stayed too long here; but you must kiss me on the lips, for I love you.’

‘It is not to Egypt that I am going,’ said the Swallow. ‘I am going to the House of Death. Death is the brother of Sleep, is he not?’

And he kissed the Happy Prince on the lips, and fell down dead at his feet.

At that moment a curious crack sounded inside the statue, as if something had broken. The fact is that the leaden heart had snapped right in two. It certainly was a dreadfully hard frost. Early the next morning the Mayor was walking in the square below in company with the Town Councillors. As they passed the column he looked up at the statue: ‘Dear me! how shabby the Happy Prince looks!’ he said.

‘How shabby indeed!’ cried the Town Councillors, who always agreed with the Mayor, and they went up to look at it.

‘The ruby has fallen out of his sword, his eyes are gone, and he is golden no longer,’ said the Mayor; ‘in fact, he is little better than a beggar!’

‘Little better than a beggar’ said the Town councillors.

‘And here is actually a dead bird at his feet!’ continued the Mayor. ‘We must really issue a proclamation that birds are not to be allowed to die here.’ And the Town Clerk made a note of the suggestion.

So they pulled down the statue of the Happy Prince. ‘As he is no longer beautiful he is no longer useful,’ said the Art Professor at the University.

Then they melted the statue in a furnace, and the Mayor held a meeting of the Corporation to decide what was to be done with the metal. ‘We must have another statue, of course,’ he said, ‘and it shall be a statue of myself.’

‘Of myself,’ said each of the Town Councillors, and they quarrelled. When I last heard of them they were quarrelling still.

‘What a strange thing!’ said the overseer of the workmen at the foundry. ‘This broken lead heart will not melt in the furnace. We must throw it away.’ So they threw it on a dust-heap where the dead Swallow was also lying.

‘Bring me the two most precious things in the city,’ said God to one of His Angels; and the Angel brought Him the leaden heart and the dead bird.

‘You have rightly chosen,’ said God, ‘for in my garden of Paradise this little bird shall sing for evermore, and in my city of gold the Happy Prince shall praise me.’

***

I kinda dislike the ending - it's too uplifting, for my taste. But it helps distinguish this from the previous story, "The Nightingale and the Rose".

It's also kinda disturbing how all my favorite romantic stories usually end up with the protagonist dying. At least in this story, both the lovers die aware that they did much good - and that they found one another, acknowledging this at the last possible minute. Unlike the bloody nightingale and that stupid philosophy student.

How weird is it that one of my favorite love stories is between a bird and a statue of a dead prince - both male?

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